Rethinking Design Education: Collaboration Over Graded Merit

In the ever-evolving world of design, one thing remains constant: the importance of typography. It's the cornerstone of visual communication, a vital component that can make or break a design project. Recently, a unique zine collaboration called COTYPE has sparked a critical conversation about the state of design education. This project, initiated by the 'Death of Typography (DOT)' collective in Singapore, seeks to challenge the conventional approach in design schools. Instead of focusing solely on graded merit and the pursuit of becoming a generalist, COTYPE champions collaboration and a fresh perspective on design education.

The Design Dilemma

Design schools around the world often grapple with the challenge of reconciling an array of design philosophies and influences. Sometimes, these influences come from stakeholders who may not necessarily have a background in the design industry. This complexity can create a confusing landscape for young designers. COTYPE, with its first issue, seeks to address this dilemma head-on.

Collaboration as a Catalyst

'Death of Typography (DOT),' a dynamic Singaporean type collective, has been at the forefront of practicing, researching, and exploring typography through creative inquiry and collaboration. COTYPE is their brainchild, an initiative aimed at bringing together young Singaporean designers to ignite discussions about the design ecosystem in which they operate.

The Glossary of Change

In the first issue of COTYPE, these young local designers collectively speculated on new vocabularies and lexicons to decipher the future of design education in Singapore. What makes this project unique is their choice of expression–type design. Through their typographic explorations, they have crafted a glossary of new considerations for the future of design education.

The Power of Collaboration

The heart of the matter lies in the idea that collaboration trumps graded merit. Design education isn't merely about being an individual virtuoso; it's about working together to foster an environment where different voices can be heard and celebrated. By coming together and creating this thought-provoking zine, the COTYPE project demonstrates the power of collaborative effort in reshaping the design education landscape.

The Triumph of Fresh Perspectives

One of the key takeaways from the COTYPE initiative is the realization that design education should evolve to accommodate a diversity of perspectives. The design world isn't static; it's a dynamic, ever-changing realm where collaboration fosters innovation. Encouraging students to work collaboratively not only prepares them for the real world but also injects fresh ideas into the field of design.

Typography, as showcased in the COTYPE zine, is more than just an aesthetic choice. It's a powerful tool for sparking essential conversations about the future of design education. Through collaboration and creative inquiry, young Singaporean designers are offering new vocabularies and fresh perspectives to navigate the complex landscape of design. 'Death of Typography (DOT)' and its COTYPE project have shown us that the future of design education should prioritize collaboration over graded merit and embrace the richness of diverse influences. It's a bright new chapter in design education, one that promises to shape the designers of tomorrow in innovative and exciting ways.

Cherished Singapore